Iain Cuthbertson
Despite beginning his television career in 1957, Iain Cuthbertson didn't really come to the attention of viewers until 1968 when he starred as Sir Walter Ker of Cessford in the BBC series The Borderers. Previous roles in Para Handy – Master Mariner, This Man Craig and Adam Adamant Lives! went largely unnoticed although he was steadily building a reputation as a reliable character actor with a growing presence.
National recognition came with the ITV series Budgie when Cuthbertson starred as Charlie Endell, the Soho-Scot, a pimp, racketeer, pornographer, clip-joint operator, and protection artist. The pop star turned actor Adam Faith played Ronald ‘Budgie’ Bird, a small time crook who was always at Charlie’s beck and call. "I really enjoyed that character," Cuthbertson said with some relish. "The Keith Waterhouse scripts were absolutely fantastic. Not a redundant word among them. They were put together beautifully."
The Cuthbertson / Faith partnership was a hugely popular one. So why did it end after just two series? "Credibility," he said, "the situations had all been worked out. It became less and less likely that somebody like Charlie Endell would employ a bungler like Budgie. So we broke it up. Maybe we were wrong? Tom and Jerry seem to go on for ever".
Born on 4 January 1930, the son of the distinguished biochemist and medical researcher Sir David Cuthbertson, a leading authority on metabolism, Iain Cuthbertson was educated at Glasgow Academy before moving with his family to Aberdeen. He attended Aberdeen Grammar School and later the University of Aberdeen, graduating with an MA honours degree in French and Spanish. His first professional break came on radio while still at university. Though he originally aspired to join the Foreign Office, he instead became a radio journalist with BBC Glasgow.
He undertook two years’ national service with the Black Watch, during which he was appointed “prisoner’s friend” at a court martial. Defending a soldier accused of turning up late for parade and assaulting a superior officer, Cuthbertson succeeded in having the more serious charge dismissed—an early display of the authority he would later project in many screen roles.
His stage career flourished in the late 1950s when he joined Glasgow’s Citizens’ Theatre, becoming General Manager and Director of Productions in 1962. Managing a theatre on Gorbals Street had its challenges; he later recalled that a plate-glass window at the front had to be removed because enthusiastic locals kept kicking it in. In 1960 he played William Wallace in Sydney Goodsir Smith’s The Wallace at the Edinburgh International Festival, a performance hailed by playwright Robert McLellan as one of the great achievements in Scottish theatre. In 1965 he was appointed Associate Director of London’s Royal Court Theatre, consolidating his reputation as a major theatrical figure.
After his stint on Budgie ended, his character was briefly revived in Charles Endell Esquire, but an ITV strike halted the spin-off after only two episodes. It never returned.
Cuthbertson soon found another memorable role as the eponymous Procurator Fiscal in Sutherland's Law (1973–1976). As John Sutherland, dispensing justice in a small Scottish town, he delivered a performance of measured intelligence and moral authority that earned widespread admiration. From 1975 to 1978 he also served as Rector of the University of Aberdeen.
His television appearances were numerous and varied, including roles in Ripping Yarns, The Duchess of Duke Street, Survivors, Children of the Stones, Minder, Juliet Bravo, The Avengers, Department S, Manhunt, Tom Brown's Schooldays, The Onedin Line, and Inspector Morse, in which he portrayed the title character’s former mentor. Science fiction audiences recall him as Garron in Doctor Who (The Ribos Operation). His film credits included The Railway Children, Up the Chastity Belt and Gorillas in the Mist.
In 1982 Cuthbertson suffered a severe stroke that left him paralysed down one side and without speech. After nearly two years of recovery, he returned to acting, though he avoided live theatre work for fear of forgetting lines. With the aid of crib boards he continued to appear in film and television, beginning with the villainous Scunner Campbell in Super Gran. His determination to resume his career after such a debilitating illness spoke volumes about his resilience and dedication.
Cuthbertson’s first marriage, to actress Anne Kristen in 1964, was dissolved in 1988. He later married Janet Smith, who survived him. A keen sailor and fisherman, he retired to Dalrymple in Ayrshire. His final role was as the Ghost in Hamlet in 2003.
He died on 4 September 2009 at Ayr Hospital and was cremated. Tall, authoritative and intellectually formidable, Iain Cuthbertson left behind a body of work that spanned classical theatre, popular television drama and film, and secured his place as one of Scotland’s most distinguished acting talents.
Published on February 25th, 2026. Written by Laurence Marcus for Television Heaven.