The instantly recognisable, deceptively benign visage of arguably the world's greatest director of
cinematic suspense, Alfred Hitchcock, side-stepped deftly to the smaller screen of US television
and welcomed viewers to a polished series of stories (seventeen of which were directed by
Hitchcock himself) dealing in his trademarked obsession with terror, horror, dark humour and
sardonically surprising endings. 'Hitch's' wryly deadpan delivery style of introduction, coupled
with the series' memorable theme music quickly established themselves as much imitated standards
over a decade which saw the show broadcast on two different networks - and later in the never-
ending reruns of syndication. Cleverly, in knowingly direct violation of the then accepted
television code of ethics; the stories would often appear to end with evil both triumphant and
However, the downbeat resolution would invariably be revealed as misleading, when following the final commercial break, Hitchcock would return to almost gleefully explain what small mistake or random act of chance had finally seen justice prevail. In 1962, the show was expanded to an hour and underwent a title change to The Alfred Hitchcock Hour. The shows were produced by Norman Lloyd, later to appear before the camera as Dr. Daniel Auschlander in St Elsewhere and boasted contributions from such notable authors as Ira Levin, Roald Dahl, Sterling Silliphant and Ray Bradbury.
In a real life twist worthy of the Master himself, five years after Hitchcock's death, in the fall of 1987, the 'Hitch' achieved a unique, near morbid, distinction: he became the first person in television history to return from the dead to host a new series, when for one season, the NBC network used colorized versions of his original black-and-white introductions to introduce all new half hour episodes of the revived series. The success of this new version led in 1987 an additional year of new episodes being made for the USA Cable Network.
Published on November 27th, 2018. Humar.