Muriel Young

Biography: Muriel Young  (1923 - 2001)

^{By Laurence Marcus}

Best known as a pioneering British television personality, producer, and presenter who became a beloved figure in children's television during the mid-20th century, Muriel Young's career spanned several decades, during which she played a crucial role in shaping the landscape of children's entertainment in the United Kingdom where, to a generation of children, she was known as Auntie Muriel or Auntie Mu.

Young was born in County Durham, England, on 19 June 1923. She grew up in a middle-class family and showed an early interest in the performing arts. After completing her education at the prestigious Central School of Speech and Drama in London, Young initially pursued a career in acting. She made a start in repertory at Henley-on-Thames in 1947, followed by roles at the little Gateway Theatre in London. On 23 May 1948 she made her television debut in a BBC adaptation of Jane Austen's Emma - billed below the cast list, alongside Eric Porter as, 'others taking part.'

On 7 March 1950, she appeared on TV in Lady Precious Stream - a Chinese comedy play presented 'in the traditional manner of the Chinese theatre' translated and adapted for the BBC. Young was this time billed under a collection of 'property men, attendants, suitors, maids', alongside future Compact and Crossroads co-creator Hazel Adair. No recordings exist as the play was shown live but one assumes that Young's appearance would have been a fleeting one, and she was possibly playing a Chinese maid presumed on the fact that in her very next TV appearance; A Legend in China (11 October 1951), she was cast as Ho Li, a maid. The second servant in this Children's production was played by Jack Howarth - later known familiarly as Coronation Street's Albert Tatlock.

Later, she had parts in two Sidney Gilliat movies of the early 1950s, The Story of Gilbert and Sullivan and The Constant Husband. At other times she worked as a photographer's model, tried her hand as a glass-painter, and even trained as a dental nurse.

However, her path soon diverged into the burgeoning world of television, which was in its infancy at the time. She saw this as an opportunity to transition to the new medium. It was in the pursuit of this career that she applied to the newly formed Associated-Rediffusion in 1955, mistakenly going along to an audition for announcers instead of one for actors. She was hired on the spot and was the announcer on opening night of ITV. On the occasions where there weren't enough commercials to fill the advertising breaks a good deal of improvisation was called for.  

Her warm, clear voice and affable presence made her a natural fit for the screen and, as ITV expanded, she worked as a presenter and interviewer on Granada's People and Places in the north and Southern TV's Day by Day from Southampton. She soon became a familiar face on British television, earning a reputation for her professionalism and versatility.

Young’s career took an unexpected turn when she discovered her true vocation as a children’s television presenter. It all began with Small Time, a midday programme originally hosted by Susan Spear for the under-fives. But fate had bigger plans: Small Time received an invitation to spin off into a five o’clock version.

Enter Muriel Young, stepping into the spotlight as the new presenter. Alongside her, Bert Weedon strummed his guitar, and Wally Whyton infused the airwaves with his love for folk music. But that wasn’t all. Small Time already boasted an endearing glove-puppet character—Pussy Cat Willum—brought to life by Janet Nicholls. Wally Whyton, with his art school background, added his creative touch. He conjured up the truculent Scouse owl, Ollie Beak, and the steadfast dog, Fred Barker. Amid this delightful chaos, Muriel valiantly attempted to maintain order, ensuring that the show sailed smoothly through its whimsical adventures.

The Five O'Clock Club aired from 1963 to 1966. The show featured a mix of music, comedy, and guest appearances, and Young's warm, friendly demeanour made her a favourite among young viewers. She had a unique ability to connect with her audience, making children feel as though she was speaking directly to them. The Five O'Clock Club was groundbreaking in many ways, particularly for its inclusion of pop music, which helped to bridge the gap between children's entertainment and youth culture. The show featured performances from some of the biggest pop acts of the time, including The Beatles, The Rolling Stones, and The Who. Young's easy rapport with these musical guests further endeared her to the audience, and she became a trusted and beloved figure in British households.

When Associated-Rediffusion was merged into Thames Television Young was lured to Granada in an off-screen capacity, to head a new children's department. Using her experience and expertise she began creating and developing new programming. She was a driving force behind several successful children and teenage shows, including Clapperboard, a film review program aimed at younger audiences, The Saturday Show, Get It Together, Lift Off with Ayshea, the Bay City Rollers Shang-a-lang and The Arrows TV show, all of which continued the tradition of mixing entertainment with pop culture.

Despite her public persona, Muriel Young was known to be a private person. She married Cyril Coke, a television director and producer, in 1954. In 1986, the couple decided to retire to Muriel's homeland and settled into an apartment in Stanhope Castle. She took up painting and exhibited both locally and in London. The couple remained together until his death in 1993. They did not have any children, but Young's career in children's television gave her a strong connection to younger generations.

Young was deeply respected by her colleagues and peers, known for her professionalism, kindness, and dedication to her work. She was often described as a pioneer in the television industry, particularly for women in broadcasting, where she broke new ground and set standards for those who followed.

She passed away on 24 March 2001 at the age of 77, leaving behind a legacy that continues to be felt in British children's television. Her contributions to the field were recognized by both her peers and the public, and she is remembered as a most important figures in the history of British television.

Young's work laid the foundation for future generations of children's television presenters and producers. Her ability to connect with audiences and her innovative approach to programming left an indelible mark on the industry. Today, she is celebrated as a pioneer who helped to shape the golden age of British children's television, and her legacy lives on in the fond memories of those who grew up watching her shows.

Muriel Young's career is a testament to the power of television as a medium for connecting with audiences, particularly young viewers. Through her work, she brought joy, entertainment, and a sense of wonder to countless children, making her a true icon of British television history.