Elizabeth Gaskell’s charming tale of a fictional Cheshire town and its eccentric characters has been adapted for TV three times by the BBC. In this review, we take a look at all three productions
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Elizabeth Gaskell’s charming tale of a fictional Cheshire town and its eccentric characters has been adapted for TV three times by the BBC. In this review, we take a look at all three productions
A former British soldier, now the night manager of a luxury hotel in Cairo, is recruited by a Foreign Office task force investigating illegal arms sales, to infiltrate the inner circle of a ruthless and psychopathic arms dealer
With critical acclaim, multiple prestigious awards including International Emmys and a Peabody Award, and a lasting legacy, The Kumars at No. 42 was a trailblazer in British television
TV investigative journalist Jemima Shore turns amateur detective to uncover blackmail and murder among the upper classes in this 1980s blend of cozy mystery and conventional crime thriller
Seen as an indictment of society's inability to care for its outcasts, Edna, The Inebriate Woman was a stirring piece of televisual drama that was made all the more powerful by Patricia Hayes' superb performance of a woman trying to hold on to the last vestiges of her dignity
Broadcast from the heart of the Midlands, Pebble Mill at One was the comforting hum of British life. It carved out space for informal, magazine-style broadcasting that influenced everything from This Morning to The One Show
A grief‑stricken salesman spirals through a chaotic Sussex road trip with his young son, confronting guilt, masculinity, and haunting memories. Matt Smith leads with intensity, while Rafael Mathé delivers a breakout, emotionally resonant performance
A principled but volatile ex-prisoner is drawn back into industrial conflict. This 1970s series explores the personal cost of militancy, shifting union politics and one man’s refusal to fit ideological labels in a tense, changing Britain
Richard Greene starred as the legendary 12th century outlaw who robbed from the rich and gave to the poor. ITV's first adventure series managed to maintain a high standard of writing, employing blacklisted Hollywood writers who wrote under various aliases.
A quiet crisis at a national zoo spirals into political chaos as war looms and authoritarianism rises across Europe. Simon Carter’s attempt to preserve order exposes corruption, propaganda and the dangerous compromises made when democracy begins to crumble
Robert Hardy stars as a wealthy, brilliant, and endlessly curious eccentric with a taste for probing the occult and confronting manifestations of ancient terror, in a tantalising BBC drama that feels less like a failed experiment and more like a missed opportunity
Jean-Luc is an elderly gent weathered by grief, regret and anger. Haunted by memories of a career-ending catastrophe at Starfleet, he passes time by tending to the soil at the Picard vineyard in France. But all that is about to change...
Festive laughter inside the walls of Slade Prison, in the company of Norman Stanley Fletcher and Lenny Godber.
Celebrating the 50th anniversary of arguably the finest television show US television ever produced, Brian Slade selects his top ten episodes of all time. No easy task when there's 256 to choose from!
Article exploring how Royal Holloway serves as the fictional Devington School in Midsomer Murders, highlighting its old-fashioned architecture and examining how the campus has functioned widely as a filming location for television, film, documentaries, and student media productions
In the second of two articles Daniel Tessier reviews every debut story for each new Doctor - from Eccleston to Whittaker. Fantastic!
As much a part of a traditional British Christmas as turkey and tinsel, Morecambe and Wise made 26 editions of their show as well as seven specials for Thames Television. Now, for the first time, their complete Thames output is available on DVD
Although she presented an imposing figure on screen Hattie Jacques managed to play a diverse range of roles when she may so easily have become typecast. Eric Sykes summed her up perfectly when he said, "She was one of the best comedy actresses we have ever had and a very lovely lady."
One of the best known faces on television in the 1960s and constantly in the spotlight, and yet Patrick McGoohan managed to keep his private life out of public view.
"You see, I think acting is magic. If I tell you all about myself it will spoil it. It's like a conjuror showing you how he does his tricks. If you can see how it's being done it takes away all the magic."